晚清民国江南曲社与曲师关系论略
裴雪莱
摘要晚清民国时期江南曲社蓬勃兴起，进而成为昆腔唱演传播的主要途径和重要形态，其发展离不开诸多曲师的指导参与，二者相互依存，共同维系昆腔的生存。具体表现在：一、曲社需要曲师技艺传承指点；二、曲师需要曲社的发展空间和生存环境；三、曲社与曲师的共生关系具有重要的剧种声腔史意义。
关键词 晚清民国；江南曲社；曲师；剧种声腔
Title: On the Relationship between the Jiangnan Qushe and the Opera master in the Late Qing Dynasty and the Republic of China
Abstract: During the late Qing Dynasty and the Republic of China, the Jiangnan Qu Society flourished and became a powerful way and an important form for the communication of Kunqu Opera. Its development is inseparable from the guidance and participation of many Opera master. The two are interdependent and work together to maintain the Kunming. The specific performance is at the following points: 1. Qushe needs the guidance of the artist's skill inheritance; 2. The Opera master needs the development space and living environment of Qushe; 3. The symbiotic relationship between Qushe and the Opera master has important significance in the history of the opera.
Keywords: the late QingDynasty and the republic of China;Jiangnan Qushe;Opera master ; kunqu composers ;tune patterns of Xiqu
作者简介：裴雪莱（1984-），男，浙江传媒博鱼体育官网操作说明戏剧影视研究院助理研究员，浙江大学人文博鱼体育官网操作说明博士后在站，研究方向古典戏曲。
项目编号：本文为博鱼体育官网操作说明社科艺术类青年项目“清代至民国江南曲社研究”（项目编号17CB181）阶段性成果；中国博士后科学基金第62批面上资助项目“清代江南职业昆班研究”（项目编号2017M621905）阶段性成果。
